Bartitsu
Bartitsu is possibly the first instance of what we know today as mixed martial arts. The Bartitsu Society compiled it’s members research from various historical publications and published the results which fund historical education on the subject. Bartitsu Compendium 1 and Bartitsu Compendium 2 are available under the links.
William Barton-Wright combined elements of boxing, jujitsu, cane fighting, and french kick boxing in order to create a self defense system that could be used by discerning gentlemen on the streets of London during the Industrial Revolution. It is an eclectic martial art and self-defence method originally developed in England during the years 1898–1903, combining elements of boxing, jujitsu, cane fighting, and French kickboxing.
William Barton-Wright was an English railroad engineer. A physical fitness and self defense enthusiast Barton-Wright had reportedly previously studied boxing, fencing, wrestling, savate and the use of the stilletto under recognized masters of the various arts. His work as an engineer took him to Japan for three years where he discovered to jujitsu and studied at the school of Jigoro Kano. On returning to England which was heavy with crime due to its rapid growth, Barton-Wright opened a health club and self defense school for the upper class. In 1899, Barton wrote an article in the London's Pearson’s Magazine, entitled “A New Art of Self Defense.” In it he set out his system of self defense which he called “bartitsu,” an obvious melding of his name and jujitsu. The Bartitsu Club brought in some of the best martial arts teachers from around the world, among them were the first Japanese instructors from the Kodokan Society to teach JuiJitsu in Europe; Kaneo Tani, Seizo Yamamoto, and Yukio Tani. Kaneo Tani and Yamamoto soon returned to Japan, but Yukio Tani stayed and was shortly joined by Sadakazu Uyenishi. Additionally instructors included Pierre Vigny and expert in Swiss Cane fighting and instructor in savate, and professional wrestler Armand Cherpillod. The Bartitsu Club was among the first schools of its type in Europe to offer classes in women's self-defence. The club was also home to a cabal of fencer/historians led by Egerton Castle and Captain Alfred Hutton, who were devoted to re-constructing the ancient arts of fencing with the rapier and dagger and two-handed sword, and who also taught stage fencing classes to some of London’s acting elite.
Barton-Wright encouraged members of the Bartitsu Club to study each of the four major combat styles taught at the Club, each of which broadly corresponded to a different "range" of personal combat. At long range the use of the cane, Closer the use of Savate kicking arts, pugilism, and then at close range wrestling and JuiJitsu. Barton-Wright layed out basic principles for Bartitsu "(1)to disturb the equilibrium of your assailant; (2) to surprise him before he has time to regain his balance and use his strength; (3) if necessary to subject the joints of any part of his body, whether neck, shoulder, elbow, wrist, back, knee, ankle, etc. to strain which they are anatomically and mechanically unable to resist." (Barton-Wright, 1899)
The last recorded activities of the Bartitsu Club as an entity involved a series of touring exhibitions and contests at venues during the period January–March 1902. By 1903, the Bartitsu Club closed and most of its instructors established their own self defense schools in London. William Garrud, a physical culture instructor at the Bartitsu Club, and his wife Edith Garrud would become students of Uyenishi at his JuiJitsu school. When Uyenishi left England to return to Japan in 1908, William took over as the owner and manager of the Golden Square school and Edith became the instructor of the women's and children's classes. The Garruds popularised jujutsu by performing numerous exhibitions throughout London and by writing numerous articles.
In 1905, ju-jutsu pioneer Sadakazu Uyenishi and his students issued the "Textbook of Ju-jutsu". It was partly illustrated with "cinematographics" produced by the Gaumont Film Company. In recent years the Bartitsu Society has taken the frames from archives and reanimated the footage.